Part two of my “Standards In Odd Meters” posts, featuring my favorite recordings of standards in 7/4 time.
Startin’ things off right with Joshua Redman’s version of “Summertime” from the fantastic Timeless Tales (For Changing Times) disc, which features Brad Mehldau on piano, Larry Grenadier on bass and Brian Blade on drums. I found a live version on YouTube, shown below. Enjoy!
Next up – Ryan Kisor’s version of “Song For My Father” from his album Donna Lee. This great album features Sam Yahel on organ, Peter Bernstein on guitar, and Greg Hutchinson on drums. Well worth a listen. If the AAB form of the tune didn’t already lead to enough confusion, Kisor takes the “A” sections in seven and the “B” section in 8. Very interesting. Check it out on MySpace.
From Kurt Elling’s most recent CD, The Gate, a very cool cover of Stevie Wonder’s “Golden Lady”. It’s not exactly a jazz standard, but definitely worth mentioning. Hearing the tune in seven, it just sounds like it was supposed to be written that way. Like “Song For My Father” it’s not in seven throughout, but it adds a cool effect. The Gate is a solid album – certainly not my favorite Elling album – but solid nonetheless.
Next up, Brad Mehldau’s ridiculous version of “All The Things You Are” from The Art of the Trio, Vol 4. Not much to say about this one – completely and totally ridiculous. Also, a half step higher than the usual key.
From Robert Glasper’s In My Element, a swift version of Sam Rivers’ tune “Beatrice”. Glasper has also added some interesting reharmonizations to the tune. Check it out. (And check out my lead sheet here!)
From Jacky Terrasson’s album Smile, an interesting version of “Parisian Thoroughfare”. Enjoy!