Altered Rootless ii-V-I 4-Note Piano Voicings

The most common alterations you’ll find on the ii-V-I progression will be over the Dominant (V7) chord.  With only slight alterations to the rootless 4-note voicings previously posted, we can cover a number of common Altered Dominants, including V7(b9, 13), V7(9, b13), and V7(b9b13).  Maybe in a later post I’ll address some improvisation options over these various alterations, but for the time being, start to experiment by substituting these alterations into your major ii-V-I’s.  Check out both inversions of each alteration – the voicings sound a little different with the altered note on the top of the voicing or with the altered voice in the middle of the voicing.  And you can use the Drop-2 technique to quickly and easily turn these into two-handed voicings.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s