Hello again – below is a transcription of Kenny Kirkland’s piano solo on Wayne Shorter’s tune “Black Nile” as played on Jeff ‘Tain’ Watts’ 1993 trio album “Megawatts”. It’s full of great Kenny-isms. Bars 25-26 have a descending scalar pattern that Kenny was fond of, bar 34 and bar 142 have a diminished lick that Kenny tends to play, bar 46 has THE Kenny diminished lick, bar 60 has a 4ths-based shape that Kenny often played, bars 73-74 has a similar scalar pattern, only ascending instead of descending; the scalar pattern also appears in bars 119-123. Enjoy!
Below is a transcription of Kenny Kirkland’s piano solo on Wayne Shorter’s tune “Yes or No” from the great Branford Marsalis album Random Abstract. This solo is full of great Kenny-isms. Bars 27, 72, and 157 have a triad pair lick that Kenny was fond of, bar 35 has the diminished lick Kenny often played, and the solo is full of superimposed meters, which Kenny often did – check out the superimposed 6 over 4 in bars 43-47, 5 over 4 in bars 87-93 and 174-180, and 3 over 4 in bars 113-123 and 143-147. Tons of great stuff in this solo. Check out the whole track here. Enjoy!
Below is a transcription of Kenny Kirkland’s solo on “Ana Maria”. There’s a video on YouTube, but don’t ask me why the video is of a person driving a car. Kenny’s lick from measure 118-119 is one of my favorite Kenny licks. It really implies a GMaj7(#11) sound, but it also works over an Emin7 or an A7 chord. Enjoy!
Alright, one of these days I’m going to go through backlog and post a bunch of stuff. But, alas, that day will not be today. So, here’s a quick and dirty lead sheet to Freddie Hubbard’s tune “Birdlike” from his fantastic album Ready For Freddie. The album also features Wayne Shorter, McCoy Tyner, and Elvin Jones (among others) and is definitely a solid investment – hours of listening pleasure to be had there.
This is my transcription of Freddie Hubbard’s reharmonization of the tune “Body and Soul” off of his album Here To Stay. This fantastic album also features Cedar Walton, Reggie Workman, Philly Joe Jones, and Wayne Shorter. Where the chord changes differ significantly from the original (bars 2, 5, and the first 4 bars of the bridge), the melody as played by Freddie has been loosely transcribed. Otherwise, the stock melody has been inserted, as my main purpose in transcribing the tune is for the chord changes. I encourage you to check out Mulgrew Miller’s reharmonization of the tune from the album With Our Own Eyes for comparison purposes. Enjoy!